{"id":4740,"date":"2024-09-06T15:19:40","date_gmt":"2024-09-06T13:19:40","guid":{"rendered":"https:\/\/orquestrabarrocacatalana.cat\/orchestra-soloists\/virtuosisme-i-sentiments-de-langlaterra-del-1600-a-litalia-del-1700\/"},"modified":"2024-09-15T13:02:51","modified_gmt":"2024-09-15T11:02:51","slug":"virtuosisme-i-sentiments-de-langlaterra-del-1600-a-litalia-del-1700","status":"publish","type":"page","link":"https:\/\/orquestrabarrocacatalana.cat\/en\/orchestra-soloists\/virtuosisme-i-sentiments-de-langlaterra-del-1600-a-litalia-del-1700\/","title":{"rendered":"Virtuosisme i sentiments De l&#8217;Anglaterra del 1600 a l&#8217;It\u00e0lia del 1700"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"4740\" class=\"elementor elementor-4740 elementor-2945\" data-elementor-post-type=\"page\">\n\t\t\t\t<header class=\"elementor-element elementor-element-7caf583 page-header e-flex e-con-boxed e-con e-parent\" data-id=\"7caf583\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-ad976b4 e-con-full e-flex e-con e-child\" data-id=\"ad976b4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-178e222 h3 breadcrumb elementor-widget elementor-widget-global elementor-global-4764 elementor-global-2705 elementor-widget-heading\" data-id=\"178e222\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p class=\"elementor-heading-title elementor-size-default\">Programs &gt; <a href=\"https:\/\/orquestrabarrocacatalana.cat\/en\/orchestra-soloists\/\">Orchestra \u00b7 Soloists<\/a> <\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/header>\n\t\t<div class=\"elementor-element elementor-element-7ff79d9 fitxa-repertori e-flex e-con-boxed e-con e-parent\" data-id=\"7ff79d9\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-708d751 e-con-full e-flex e-con e-child\" data-id=\"708d751\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-adadba7 elementor-widget elementor-widget-image\" data-id=\"adadba7\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"799\" height=\"550\" src=\"https:\/\/orquestrabarrocacatalana.cat\/wp-content\/uploads\/2024\/09\/tiam.jpg\" class=\"attachment-large size-large wp-image-4237\" alt=\"\" srcset=\"https:\/\/orquestrabarrocacatalana.cat\/wp-content\/uploads\/2024\/09\/tiam.jpg 799w, https:\/\/orquestrabarrocacatalana.cat\/wp-content\/uploads\/2024\/09\/tiam-300x207.jpg 300w, https:\/\/orquestrabarrocacatalana.cat\/wp-content\/uploads\/2024\/09\/tiam-768x529.jpg 768w\" sizes=\"(max-width: 799px) 100vw, 799px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-ca412e4 e-con-full e-flex e-con e-child\" data-id=\"ca412e4\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-922f675 colorize-primary h3 elementor-widget elementor-widget-heading\" data-id=\"922f675\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Virtuosisme i sentiments<br>De l'Anglaterra del 1600 a l'It\u00e0lia del 1700<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a6bd100 txt-lg elementor-widget elementor-widget-text-editor\" data-id=\"a6bd100\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Orquestra Barroca Catalana<\/strong><br \/>Tiam Goudarzi, flautes<br \/>Farran Sylvan James, viol\u00ed i direcci\u00f3<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2924191 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"2924191\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-015447e elementor-widget elementor-widget-text-editor\" data-id=\"015447e\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p><strong>Nicola Fiorenza<\/strong> (1700-1764) N\u00e0pols<br \/><strong>Concert per il flauto en Sol m<\/strong><br \/>Grave &#8211; Allegro &#8211; Largo e staccato &#8211; Allegro assai<\/p>\n<p><strong>Henry Purcell<\/strong> (1659-1695) Westminster \/ Londres<br \/><strong>Suite de l&#8217;\u00f2pera &#8220;The Fairy Queen&#8221;<\/strong><br \/>First Music: Prelude<br \/>Hornpipe<br \/>Second music: Air<br \/>Rondeau<br \/>First Act Tune: Jig<br \/>Dance for the green men<br \/>Dance for the followers of Night<br \/>Prelude<br \/>If love&#8217;s a sweet passion<br \/>Hornpipe<\/p>\n<p><strong>Antonio Vivaldi<\/strong> (1678-1741) Ven\u00e8cia<br \/><strong>Concert per il flautino en Do M RV443<\/strong><br \/>Allegro &#8211; Largo &#8211; Allegro molto<\/p>\n<p><strong>Matthew Locke<\/strong> (1621-1677) Essex \/ Londres<br \/><strong>&#8220;The tempest&#8221;<\/strong><br \/>Introduction<br \/>Galliard<br \/>Gavot<br \/>Saraband<br \/>Lilk<br \/>Curtain Tune<br \/>First Act Tune &#8211; Rustick Air<br \/>Second Act Tune &#8211; Minoit<br \/>Third Act Tune &#8211; Corant<br \/>Fourth Act Tune &#8211; A Martial Jigge<br \/>Conclusion &#8211; A Canon 4 in 2<\/p>\n<p><strong>Antonio Vivaldi<\/strong><br \/><strong>Concert per il flauto en Do m RV44<\/strong><br \/>Allegro non molto &#8211; Largo &#8211; Allegro<\/p>\n<p><strong>Virtuosisme i sentiments<\/strong><\/p>\n<p>Quan sentim la paraula virtuosisme normalment l&#8217;associem a espectacle. Ens fixem m\u00e9s en la dificultat t\u00e8cnica, el llu\u00efment personal o el que ens transmet la m\u00fasica?<\/p>\n<p>Saber transformar un passatge senzill, quatre notes, en un sentiment que ens arribi a l&#8217;\u00e0nima tamb\u00e9 \u00e9s virtuosisme?<\/p>\n<p>\u00c9s admirable la superaci\u00f3 t\u00e8cnica de les dificultats que presenten moltes partitures per\u00f2 tamb\u00e9 ho \u00e9s fer que una petita frase ens emocioni.<\/p>\n<p>En les obres d&#8217;aquest programa, algunes molt conegudes i altres menys, hi trobarem moments expressius molt diversos.<\/p>\n<p>Henri Purcell i Antonio Vivaldi s\u00f3n compositors molt interpretats, per\u00f2 Matthew Locke i, sobretot, Nicola Fiorenza no tant. Tenim aix\u00ed dos compositors anglesos i dos italians, un de cada pa\u00eds amb gran reconeixement internacional i conegut pel gran p\u00fablic i un altre tamb\u00e9 fam\u00f3s per\u00f2 m\u00e9s a nivell local.<\/p>\n<p>L&#8217;inter\u00e8s de les obres i el fet que compositors tan reconeguts hagin mantingut la flauta de bec com a instrument solista en obres importants, ens ha emp\u00e8s a fer aquest programa.<\/p>\n<p>Nicolo Fiorenza nascut a N\u00e0pols cap al 1700 es va dedicar a ensenyar m\u00fasica instrumental i entre la seva obra hi figuren 15 concerts i 9 simfonies. Tot i rebre l&#8217;influencia de Vivaldi va crear un estil propi. Va arribar a ser el primer viol\u00ed de la Reial Capella de N\u00e0pols. Descobrirem doncs la gran sensibilitat del seu concert per a flauta en La m.<\/p>\n<p>L&#8217;estil d&#8217; Antonio Vivaldi \u00e9s molt conegut i els concerts que hem triat formen part de les obres que millor el representen. En el concert en Do M RV 443, fam\u00f3s i molt interpretat, hi veurem un Vivaldi t\u00edpic, virtu\u00f3s i llumin\u00f3s. Per contrastar, tamb\u00e9 hem triat el concert en Do m 441 on trobarem un Vivaldi m\u00e9s interior i profund.<\/p>\n<p>Fiorenza i Vivaldi es varen formar i viure en ambients diferents. Vivaldi a Ven\u00e8cia, ciutat plena de canals on va ser mestre a l&#8217;Ospedale de la Piet\u00e0 per a noies i Fiorenza a N\u00e0pols, terra de volcans, on ensenyava b\u00e0sicament m\u00fasica instrumental al Conservatorio di Santa Maria di Loreto de nois. Aquests ambients diferents queden reflectits en la seva m\u00fasica, en els seus ritmes.<\/p>\n<p>Basada en el somni d&#8217;una nit d&#8217;estiu de William Shakespeare, The Fairy Queen \u00e9s una de les obres m\u00e9s conegudes de Henry Purcell. La selecci\u00f3 instrumental que n&#8217;hem fet ens aportar\u00e0 la frescor de les seves danses.<\/p>\n<p>Matthew Locke (Devon?, 1621-2) es va inspirar, com Purcell, en un text de Shakespeare, precisament The Tempest. Era una persona de dif\u00edcil car\u00e0cter i va ser el seu amic Purcell qui el va succeir en el c\u00e0rrec de compositor de la Capella Reial Anglesa.<\/p>\n<p>Tenim doncs, en aquest programa, tant m\u00fasica anglesa escrita principalment per acompanyar escena com m\u00fasica italiana purament instrumental.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Repertori &gt; Instrumental \u00b7 Solistes Virtuosisme i sentimentsDe l&#8217;Anglaterra del 1600 a l&#8217;It\u00e0lia del 1700 Orquestra Barroca CatalanaTiam Goudarzi, flautesFarran Sylvan James, viol\u00ed i direcci\u00f3 Nicola Fiorenza (1700-1764) N\u00e0polsConcert per il flauto en Sol mGrave &#8211; Allegro &#8211; Largo e staccato &#8211; Allegro assai Henry Purcell (1659-1695) Westminster \/ LondresSuite de l&#8217;\u00f2pera &#8220;The Fairy Queen&#8221;First [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":4650,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4740","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - 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